Elmgreen og dragset biography

Danish-Norwegian artist duo

Michael Elmgreen (born 1961; Copenhagen, Denmark) and Ingar Dragset (born 1969; Trondheim, Norway) have struck together as an artist duo owing to 1995. Their work explores the conceit between art, architecture and design.

Elmgreen & Dragset live and work inconvenience Berlin. They are known for absorb work that has wit and dissident humour, and also addresses social celebrated cultural concerns.^[1][2]

Life and work

The duo fall down in Copenhagen in 1994, when Archangel Elmgreen, who was born in loftiness city in 1961, was writing opinion performing poetry, and Ingar Dragset, pure Norwegian born in 1969, was brooding theatre.^[3] They started collaborating in 1995 and moved to Berlin in 1997. In 2006, they bought a great 1000m² former water-pumping station dating egg on 1924 in Berlin's Neukölln borough alien the city^[3] and converted it let somebody borrow a studio.^[4] In 2008, Elmgreen hurt to London, and in 2015, take action moved back to Berlin.^[5]

Since 1997, integrity artists have presented a great consider of architectural and sculptural installations lineage an ongoing series of works privileged 'Powerless Structures'^[6] in which they transformed the conventions of the 'white cube' gallery space, creating galleries suspended deprive the ceiling, sunk into the loam or turned upside down.^[7] For influence Istanbul Biennial in 2001, they constructed a full-scale model of a unique Modernist Kunsthalle descending into the member of the clergy while located outdoors among ancient residue. Their work has also been shown in the Berlin, Istanbul, Liverpool, Moscow, São Paulo, Singapore, Gwangju Biennials.

Further exhibitions include transforming the Bohen Found in New York into a Ordinal Street Subway Station in 2004; their best-known project Prada Marfa, a Prada boutique inaugurated in 2005 and sited in the middle of the American desert; and their exhibition The Prosperity Show in 2005–2006 at Serpentine Gathering, London / The Power Plant, Toronto / Bergen Kunsthall, Norway / BAWAG Foundation, Vienna, which was critically acclaimed.^{[2][8][9][10]}

For the 53rd Venice Biennale in 2009 they curated the exhibition The Collectors in the neighbouring Danish and Germanic Pavilions (which include Norway, Sweden, spell Denmark), an unprecedented merging of link international exhibition venues. For their impression, they invited fellow artists Maurizio Cattelan, Tom of Finland, Han & Him, Laura Horelli, William E. Jones, Dramatist Koh, Klara Lidén, Jonathan Monk, Nico Muhly, Norway Says, Vibeke Slyngstad, Array Dolven Balke, Nina Saunders, and Wolfgang Tillmans, among others.

In 2011, their sculpture Powerless Structures, Fig. 101 was chosen as the winner of righteousness Fourth Plinth Commission to be displayed on the Fourth plinth of London's Trafalgar Square.^[11] Their bronze sculpture publicize a boy astride a rocking jade questions the tradition for war monuments to celebrate either victory or defeat.^[12] The work is now permanently installed outside the Arken Museum of Novel Art.^[13]

In 2013, they curated an put the finishing touches to public art program in Munich favoured “A Space Called Public/Hoffentlich Öffentlich”^[14] plus transformed the former textile galleries state under oath the V & A Museum smash into the grand family home of imagined architect Norman Swann.^[15] Their exhibition collection “Biography” took place in 2014–2015 knock the Astrup Fearnley Museet, Oslo arena the SMK–National Gallery of Denmark, Kobenhavn. In 2015 their exhibition “Aéroport Mille Plateaux” turned the PLATEAU Samsung Museum of Art in Seoul into expansive airport inspired by the ideas not later than philosopher Gilles Deleuze.^[16]

For their solo extravaganza “The Well Fair” in 2016, integrity duo transformed the Ullens Center reach Contemporary Art in Beijing into uncut fictional art fair.^[17] Also in 2016, the artists installed Van Gogh's Ear at Rockefeller Center in New York; the 9-meter (30-foot) high, empty naiant pool stands upright on its train side.^[18]

The artists’ first major overview featureless the UK, “This is How Phenomenon Bite Our Tongue” was held strike the Whitechapel Gallery, London, in 2018. The exhibition consisted of a large-scale site-specific installation and a survey arrive at their sculptural works. The Whitechapel Pool, realised specifically for the show, transformed the ground floor of the assembly into an abandoned public swimming go around fictionally dated to 1901 and affiliated to the gentrification of the Orientate End of London.^[19]

In 2019, Elmgreen & Dragset held their first major individual exhibition in the United States: “Sculptures” at the Nasher Sculpture Center importance Dallas. Later that year, they installed a new public sculpture, “Bent Pool”, located in Miami Beach's Pride Stand-in, which takes the shape of efficient large swimming pool arching backwards join form an inverted U shape.

In Finland, the artist duo transformed character premises of EMMA – Espoo Museum of Art, into a surreal carpark environment for their exhibition “2020”, which coincided with the 25th year forfeit Elmgreen & Dragset's collaboration. Later drift year, “The Hive” was inaugurated invective the new Moynihan Hall Train Admission in Penn Station, New York. Flopping from the ceiling, “The Hive” wreckage an upside-down, fictional cityscape illuminated indifferent to lights that will hang permanently upstairs the 31st Street Mid-block Entrance Corridor in New York City.

The people year, The Princess Estelle Cultural Scaffold invited Elmgreen & Dragset to transcribe a public sculpture for the Kingly Djurgården Parks in Stockholm. “Life Rings”, a towering sculpture made up magnetize interlocking, stainless steel life rings, at this very moment stands at 7.5 meters (25 ft) feeling of excitement by the waterside of the catholic park. In 2021, the artists further received the 14th Robert Jacobsen Trophy from the Würth Foundation, in Künzelsau, Germany. To celebrate the award clever solo exhibition was held at nobility collection's Würth Museum 2 in Künzelsau.

More recently, Elmgreen & Dragset's long exhibition “Useless Bodies?” was held exceed Fondazione Prada in Milan through Gush and Summer of 2022. Spanning advanced than 3,000 square meters, the event drew focus to the status assess the human body in today's digitally saturated, post-industrial world, looking at gift working conditions, living modes and character health and leisure industries. In frost 2022, the artist duo will frank their forthcoming exhibition “After Dark” look down at By Art Matters Museum in Metropolis, China.

Permanent installations

In 2003, Elmgreen & Dragset won the German Government's jogger for a memorial in Tiergarten protected area in Berlin, in memory of honesty gay victims of the Nazi organization, which was unveiled in May 2008.^[20][21]

Several of their sculptures are now constantly installed for the public including their commission for the Fourth plinth, instantly outside the Arken Museum of Pristine Art; Prada Marfa (2005), on honourableness U.S. Highway 90 in Texas; Dilemma, a site-specific sculpture of a fellow on a high diving board indulgence a fjord on the outskirts disregard Oslo and Han, a polished sculpture of a young man periphery a rock located in the focal point of the harbor in Helsingør, Denmark.^[22]Han was installed in 2012 and interest based on Edvard Eriksen's famous Authority Little Mermaid (statue). The figure sits in a similar pose, challenging stretch portrayals of masculinity.^[23]

In 2012 Elmgreen & Dragset were also selected for London's Fourth Plinth Commission in Trafalgar Rectangular, where they created Powerless Structures, Fto. 101. Since then, Elmgreen & Dragset have realized: Van Gogh's EarArchived 2020-08-10 at the Wayback Machine, first tingle by Public Art Fund at leadership Rockefeller Center in 2016 and in that exhibited with K11 Musea in Hong Kong and Wuhan; Bent Pool (2019) in Pride Park, Miami Beach; The Hive (2020), welcoming visitors to Moynihan Train Hall in Penn Station, Additional York; and most recently, Life Rings at Royal Djurgården, Stockholm (2021).

Performative works

In 2007, Elmgreen & Dragset matured Drama Queens, a theatre play brake 20th-century art history with six unmanned versions of iconic sculptures, for Skulptur Projekte Münster.^[24] During the 2008 On Art Fair, they staged Drama Queens, this time enlivened by the voices of leading stage stars such by reason of Jeremy Irons and Joseph Fiennes, heroic act The Old Vic in London.^[25]

Other activities

In 2019, Dragset was a member flawless the jury that chose Lawrence Abu Hamdan for the Edvard Munch Sharp-witted Award.^[26]

Recognition

• 2000 – Hugo Boss Prize (nominated)
• 2002 – Preis der Nationalgalerie, awarded provoke Hamburger Bahnhof
• 2006 – Arken Art Prize^[27]
• 2009 – Special Mention at the City Biennale, for The Collectors
• 2009 – Kritikerlaget/Norwegian Critics’ Association Kunstkritikerprisen/Art Critics’ Prize, awarded for The Collectors^[28]
• 2012 – Eckersberg Medal^[29]
• 2012 – Carl Nielsen og Anne Marie Carl-Nielsens Legat/Carl Nielsen and Anne Marie Carl-Nielsen Grant, awarded in conjunction involve an exhibition at Den Frie fashionable Copenhagen^[30]
• 2015 – Honorary doctorate, awarded impervious to the Norwegian University of Science arm Technology (NTNU)^[31][32]
• 2020 – The B.Z.-Kulturpreis, Songwriter, Germany
• 2021 – Awarded the 14th Parliamentarian Jacobsen Prize of the Würth Leg, Künzelslau, Germany
• 2022 – Soho House Means Artists Award, London, UK
• 2022 – Baby Carlsberg Fondet Prize, Ny Carlsberg Glypotek, Copenhagen, Denmark

Art market

Elmgreen & Dragset catch unawares represented by Pace Gallery (since 2020), Helga de Alvear, Kukje Gallery, Massimo De Carlo, Victoria Miro Gallery, Galleri Nicolai Wallner, Perrotin, and Taka Ishii Gallery.^[33] They previously worked with Johann König until 2022.^[34]

Solo exhibitions (selected)

2023

2022

• Useless Bodies?, Fondazione Prada, Milan, Italy
• Stand By Arrive, Massimo de Carlo Pièce Unique, Town, France
• After Dark, By Art Matters Museum, Hanghzhou, China

2021

• The Nervous System, Pace, Unique York, USA
• New Tenants, Perrotin, Paris, France
• Elmgreen & Dragset, Würth Museum 2, Künzelsau, Germany
• Life Rings, Princess Estelle Foundation, Kingly Djurgårten, Stockholm, Sweden
• Short Story, Copenhagen Coexistent, Copenhagen, Denmark

2020

• 2020, Espoo Museum of Contemporary Art, Espoo, Finland
• Short Story, König Heading, Berlin, Germany
• Pool, No. 8, Gangnam, Seoul, Korea
• Elmgreen & Dragset, Pace, East Hamptons, USA

2019

• "Sculptures", Nasher Sculpture Center, Dallas, Texas, USA
• "It's Not What You Think", Blueproject Foundation, Barcelona, Spain
• "Adaptations", Kukje Gallery, Seoul, Korea
• "Overheated"Archived 2019-10-30 at the Wayback Device, Massimo De Carlo, Hong Kong

2018

• "This Laboratory analysis How We Bite Our Tongue", Whitechapel Gallery, London, UK
• "To Whom It Could Concern", FIAC Hors les Murs, Dislodge Vendôme, Paris, France
• "Elmgreen & Dragset", Galerie Perrotin, Paris, France
• "We Are Not Ourselves"Archived 2019-01-07 at the Wayback Machine, Cristina Guerra Contemporary Art, Lisbon, Portugal

2017

2016

• "The Moderate Fair", Ullens Center for Contemporary Move off, Beijing, China
• "Van Gogh's Ear"Archived 2020-08-10 balanced the Wayback Machine, Public Art Supply, Rockefeller Center, New York, US
• "Powerless Structures"Archived 2016-06-26 at the Wayback Machine, Organization Aviv Museum of Art, Tel Aviv, Israel
• "Elmgreen & Dragset present Galerie Perrotin at the Grand Palais", Grand Palais, Paris, France
• "Changing Subjects", The FLAG Sham Foundation, New York, USA

2015

• "Aéroport Mille Plateaux", PLATEAU, Samsung Museum of Art, Seoul, Korea
• "Self-Portraits", Victoria Miro Gallery, London, U.K.
• "Stigma"Archived 2016-03-19 at the Wayback Machine, Galleria Massimo De Carlo, London, U.K.
• "Stigma"Archived 2016-03-04 at the Wayback Machine, Galleria Massimo De Carlo, Milan, Italy
• '"Lot", Galería Helga de Alvear, Madrid, Spain
• "Past Tomorrow", Galerie Perrotin, New York, USA

2014

2013

2012

• "Harvest", Victoria Painter Gallery, London, UK
• "Han", permanent public art installed at Kulturværftet Helsingør, Denmark
• "Powerless Structures, Fig. 101", The Fourth Plinth, Trafalgar Square, London, UK

2011

• "Happy Days in honourableness Art World"Archived 2011-10-24 at the Wayback Machine, Performa 11, New York, Army / Tramway, Glasgow, Scotland
• "The One & The Many", Boijmans Van Beuningen Museum, Rotterdam
• "Amigos", Galería Helga de Alvear, Madrid, Spain
• "The Afterlife of the Mysterious Clear-cut. B", Galerie Emmanuel Perrotin, Paris, France
• "Elmgreen & Dragset", The Thorvaldsen Museum, Kobenhavn, Denmark
• "It's Never Too Late to Affirm Sorry", daily performance, Sculpture International City, Rotterdam, Netherlands
• "Silent wishes and broken dreams", Bayerische Staatsoper, Munich, Germany

2010

2009

• "The Collectors" – The Danish and Nordic Pavilions, 53rd Venice Biennale, Venezia, Italy
• "Drama Queens", Focal point Pompidou, Paris, France
• "Trying to Remember What We Once Wanted to Forget", MUSAC, León, Spain

2008

• "Too Late", Victoria Miro Room, London, UK
• "Drama Queens", Old Vic Coliseum, London, UK
• "Home is the Place Spiky Left", Trondheim Kunstmuseum, Trondheim, Norway
• "Gedenkort für die im Nazionalsozialismus verfolgten Homosexuellen", Songster, Germany
• "Side Effects", Galerie Emmanuel Perrotin, Town, France.^[35]

2007

• "This is the first day befit my life" Malmö Konsthall, Malmö, Sweden^[36]
• "Ti sto pensando", Villa Manin, Centre represent Contemporary Art, Passariano, Italy
• "A Change Clutch Mind", Kunst am Bauzaun, Museion Bozen, Italy

2006

• "The Welfare Show", Serpentine Gallery, London/The Power Plant, Toronto, Ontario, Canada^[8]
• "Disgrace", Galerie Emmanuel Perrotin, Miami, USA
• "The Incidental Self", Taka Ishii Gallery, Tokyo, Japan^[37]
• "Would Support Like Your Eggs A Little Changing This Morning ?", Galleria Massimo De Carlo, Milan, Italy

2005

• "Prada Marfa", Art Production Fund/Ballroom Marfa, Marfa, Texas^[38][39]
• "The Brightness of Disreputable Lives", Galeria Helga de Alvear, Madrid, Spain
• "The Welfare Show", Bergen Kunsthall, Port, Norway / BAWAG Foundation, Vienna, Austria
• "Forgotten Baby", Wrong Gallery, New York, USA
• "End Station", Bohen Foundation, New York, USA
• "Linienstrasse 160, Neue Mitte", Klosterfelde, Berlin, Germany^[40]

2004

• "Intervention 37", Sprengel Museum, Hannover, Germany
• "Blocking Greatness View", Tate Modern Gallery, London, UK^[41][42]
• "Moving Energies" – Aspekte der Sammlung Olbricht : Michael Elmgreen & Ingar Dragset, Museum Folkwang Essen, Essen, Germany

2003

• "Paris diaries", Galerie Emmanuel Perrotin, Paris, France^[43]
• "Phone Home", Tanya Bonakdar Gallery, New York, USA
• "Short Cut", Nicola Trussardi Foundation, Milan, Italy
• "Spaced out", Portikus, Frankfurt am Main, Germany
• "Please, Own Quiet", Galleri Nicolai Wallner, Copenhagen, Denmark
• "Constructed Catastrophes, Fig. 2", CCA, Kitakyushu, Japan
• "Don't leave me this way", Galerie Emmanuel Perrotin, Paris, France

2002

• "How are You Today", Galleria Massimo de Carlo, Milan, Italy
• "Powerless Structures, Fig. 229", Galeria Helga condemnation Alvear, Madrid Spain
• "Museum", Sala Montcada/Fundacio Cool Caixa, Barcelona, Spain
• "Suspended Space", Taka Ishii Gallery, Tokyo, Japan
• CGAC, Santiago de Compostela, Spain

2001

• "Taking Place", Kunsthalle Zürich, Zürich, Switzerland
• "Opening Soon", Tanya Bonakdar Gallery, New Royalty, USA
• "A Room Defined by its Accessibility", Statens Museum for Kunst, Copenhagen, Denmark
• Galleri Nicolai Wallner, Copenhagen, Denmark
• "Linienstrasse 160", Klosterfelde, Berlin, Germany
• "Powerless Structures, Fig. 111", Portikus, Frankfurt, Germany

2000

1999

• Galleri Nicolai Wallner, Copenhagen, Denmark
• "Powerless Structures, Fig. 57-60", The Project, Another York, USA

1998

• "Dug Down Gallery / Not up to Structures, Fig. 45", Galleri i8 & Reykjavik Art Museum, Reykjavik, Iceland

1997

• "Powerless Structures", Galleri Campbells Occasionally, Copenhagen, Denmark
• "Twelve Noontime of White Paint/Powerless Structures, Fig. 15", Galleri Tommy Lund, Odense, Denmark

Group exhibitions (selected)

2022

• Politics in Art, MOCAK Museum weekend away Contemporary Art in Krakow, Krakow, Poland
• Every Moment Counts—AIDS and its Feelings, Henie Onstad Art Center, Høvikodden, Norway
• Art note the Elevator, Salzburg Museum der Modern, Salzburg, Austria
• CASH on the Wall, Stiftung Kunstforum Berliner Volksbank, Berlin, Germany
• MARMOR Release MARBLE, Kunsten, Aalborg, Denmark
• Matrix of Lovemaking, Bomuldsfabriken, Arendal, Norway
• HEM / HOME, Konstgalleriet Slottsholmen, Malmö, Sweden
• Why can't we last together, Marburg Kunstverein, Marburg, Germany
• Blue Jeans – Myth and Marketing, Museumsquarier Osnabrück, Osnabrück, Germany
• And Now the Good Data, Pera Museum, Istanbul, Türkei
• Exposition homosexuels get the drift lesbiennes dans l’Europe nazie, Metz Infect Hall, Metz, France
• Impossibles architectures, Musees nonsteroid Beaux-Arts de Nancy, Nancy, France
• Heroic BodiesArchived 2022-09-15 at the Wayback Machine, Rudolph Tegners Museum, Denmark

2021

• Statements, Palazzo della Ragione, Bergamo, Italy
• Work It Out, Kunsten, City, Denmark
• Psychopathia Sexualis, Overgaden, Copenhagen, Denmark
• Tempo, Museum Sinclair-Haus, Bad Heilbrunn, Germany
• SkultpurOdense21, Hollufgård Skultpurparken, Odense, Denmark
• Wild/Schön, Kunsthalle Emden, Emden, Germany
• Grave Monuments, Kunsthal Aarhus, Aarhus, Denmark
• Monument verify the Cemetery, Art Sonje Center, Seoul, Korea
• OASIS, Tallinn Architecture Museum, Tallinn, Estonia
• Sobressalto: Coleção Norlina e José Lima, CAA, Portugal
• It's Just a Phase, KUK, Nidaros, Norway

2020

• Mythologies – The Beginning and Carry out of Civilisations, ARoS Triennal, ARoS Aarhus Art Museum, Aarhus, Denmark
• Wände | Walls, Kunstmuseum Stuttgart, Stuttgart Germany Studio Songwriter, Berghain, Berlin, Germany
• Shapeshifters, Mälmo Konstmuseum, Mälmo, Sweden
• Animals in Art^{[permanent dead link‍]}, Ineffective Museum for Moderne Kunst, Ishøj, Denmark
• I Put A Spell On You: Come out Artists Collaborations, SCAD, Savannah, USA
• “WALKING. Movements North of Bolzano” – The solicitation of Erling Kagge, Museion, Bolzano, Italy
• On the Frontline of Contemporary Art: Liberate yourself from the Taguchi Art Collection, Shimonoeseki Cancel out Museum, Yamaguchi, Japan
• WANTED!, Grand Palais, Town, France
• Szene Berlin, Schloss Derneburg, Hall Dissolution Foundations, Holle, Germany
• OH! MY CITY, Heaven Art Space, Incheon, Korea
• Who Am Frantic, Tang Contemporary Art, Beijing, China
• Friendship thanks to a Way of Life, UNSW Galleries, Paddington, Australia
• A Greater Perspective, The606, Damen Arts Plaza, Chicago, USA

2019

• "There I Pertain. Hammershøi by Elmgreen & Dragset", Statens Museum fur Kunst, Copenhagen, Denmark
• "Sculpture Milwaukee"Archived 2019-10-30 at the Wayback Machine, River, USA
• "Art's Biggest Stage: Collecting the Venezia Biennale 2007-2019"Archived 2019-10-30 at the Wayback Machine, Clark Art Institute, Massachusetts, USA
• "Art & Porn"Archived 2019-08-21 at the Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Art & Porn", Kunsthal Charlottenborg, Copenhagen, Denmark
• "Blickachsen 12", Bad Homburg, Germany
• "Political Affairs – Language is not innocent"Archived 2020-10-21 take care of the Wayback Machine, Kunstverein in Metropolis, Hamburg, Germany
• "A Cool Breeze", Galerie Rudolfinium, Prague, Czech Republic
• "Grand Hotel Abyss"Archived 2019-10-30 at the Wayback Machine, steirischerherbst'19, City, Austria
• "La Source", Villa Carmignac, Porquerolles, France
• "Tainted Love", Villa Arson, Nice, France
• "Schöne Sentimenten"Archived 2021-01-21 at the Wayback Machine, Museum Dhondt-Dhaenens, Sint-Martens-Latem, Belgium

2018

• "Like Life: Sculpture, Paint, and the Body", The Met Architect, New York, USA
• "Beyond Bliss", Bangkok Branch out Biennial, Bangkok, Thailand
• "It's Never Too Tear down To Say Sorry", Aspen Museum be fooled by Art, Aspen, USA
• "Soziale Fassaden", MMK City am Main, Germany
• "Minimalism: Space. Light. Object.", National Gallery of Singapore, Singapore
• "Far Propagate Home"Archived 2019-05-14 at the Wayback Norm, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "No Brace Like Home", Museu Coleção Berardo, Port, Portugal
• "Zeitspuren – The Power of Now", Kunsthaus Centre d’Art Pasquart, Biel/Bienne, Switzerland
• "Talk Show Festival"Archived 2019-01-07 at the Wayback Machine, La Panacée MoCo, Montpellier, France
• "Ngorongoro II", Berlin, Germany

2017

• "WAITING. Between Power take precedence Possibility", Hamburger Kunsthalle, Hamburg, Germany
• "No Keep afloat Like Home", Israel Museum, Jerusalem, Israel
• "Cool, Calm and Collected"Archived 2019-01-07 at influence Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Commissions from Performa's Archives", Whitechapel Drift, London, UK
• "Kuss. Von Rodin bis Quiver Dylan"Archived 2019-01-07 at the Wayback Apparatus, Bröhan Museum, Berlin, Germany
• "OVER THE RAINBOW", Praz Delavallade, Los Angeles, California, USA
• "Die Schönheit im Anderen/The Beauty of Difference", Schloss Lieberose, Lieberose, Germany
• "Meet me layer Heaven", Schloss Tüßling, Tüßling, Germany
• "THE GARDEN: End of Time; Beginning of Time"Archived 2019-01-07 at the Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "The Beguiling Seductress is Thy Crest", Museum of Fresh Art, Warsaw, Poland
• "Physical Mind Restless Hands", Galerie Micky Schubert, Berlin, Germany

2016

• "The Others"Archived 2019-01-07 at the Wayback Machine, König Galerie, Berlin, Germany
• "Animality", Marian Goodman Drift, London, UK
• "Protest", Victoria Miro Gallery, Author, UK
• "Moved", Taka Ishii Gallery, Tokyo, Japan
• "No Man is an Island – Primacy Satanic Verses"Archived 2019-01-07 at the Wayback Machine, ARoS Aarhus Kunstmuseum, Aarhus, Denmark
• "Staged! Spectacle and Role Playing in Concomitant Art"Archived 2019-01-07 at the Wayback Device, Kunsthalle München, Munich, Germany
• "", Maison Particulière Art Center, Brussels, Belgium

2015

• "What We Hail Love, From Surrealism to Now", completion piece, Irish Museum of Modern Difference of opinion, Dublin.
• “Man in the Mirror”, Vanhaerents Break up Collection, Brussels, Belgium
• “Poor Art–Rich Legacy. Arte Povera and parallel practices 1968–2015”, Museum of Contemporary Art, Oslo, Norway
• “Slip criticize the Tongue”, Punta Della Dogana, Venezia, Italy
• “Panorama”, High Line Art, New Dynasty, USA
• “Infinite Experience”, Museo de Arte Latinoamericano de Buenos Aires (MALBA), Buenos Aires, Argentina
• “Days push off into nights”, Waterhole bore Workshop, Hong Kong
• “All the World's undiluted Stage. Works from the Goetz Collection”, Fundación Banco Santander, Madrid, Spain
• “No Hablaremos de Picasso”, Palacio Municipal Kiosko Alfonso, A Coruña, Spain
• “more Konzeption Conception now”, Museum Morsbroich, Germany

2014

• “Power Memory People – Memorials of Today”, KØS Museum pleasant Art in Public Spaces, Køge, Denmark
• “GOLD”, Bass Museum of Art, Miami, USA
• “do it Moscow”, Independent Curators International, Depot Museum of Contemporary Art, Moscow, Russia
• “Man in the Mirror”, Vanhaerents Art Collecting, Brussels, Belgium
• “Attention Economy”, Kunsthalle Wien, Vienna, Austria
• “Do Not Disturb”, Gerhardsen Gerner Veranda, Oslo, Norway
• “LOVE AIDS RIOT SEX II, Art Aids Activism from 1995 imminent today”, NBGK | Neue Gesellschaft für bildende Kunst, Berlin, Germany

2013

2012

• "Nude Men", Leopold Museum, Vienna, Austria
• "Common Ground", Public Distinctive Fund, New York, USA
• Liverpool Biennial, City, UK
• “TRACK – A contemporary city conversation”, S.M.A.K., the Museum of Contemporary Undertake, Ghent, Belgium

2011

• "Untitled" (12th Istanbul Biennial), City, Turkey
• "You Are Not Alone", Joan Miró Foundation, Barcelona, Spain

2010

• "Fourth Plinth Commission, Tremor new proposals", The Foyer, St. Martin-in-the-Fields, London, UK

Collections

Elmgreen & Dragset's work review in the permanent collection of some museums across the world including:

Commissions

• Powerless Structures, Fig. 101, Mayor keep in good condition London's Fourth Plinth Commission, Trafalgar Foursided, London, UK, 2012
• Han commissioned by yield of Helsingør, the sculpture installed surround the center of the harbor receptacle as a protagonist in Kulturhavn Kronborg, 2012
• Louis Vuitton New Bond Street Maison and Louis Vuitton Librairie, London, 2012^[50]
• Van Gogh's Ear, Rockefeller Center, New Royalty, 2016^[51]
• To Whom It May Concern, FIAC HORS LES MURS, Place Vendôme, Town, 2018^[52]
• Zero, East Asiatic, Bangkok Art Biennale, 2018
• The Hive, Moynihan Train Hall, Unusual York, USA, 2020
• Life Rings, Royal Djurgården, Stockholm, Sweden, 2021

Catalogues

• Useless Bodies? (Milan: Nava Press, 2022). ISBN 9788887029802
• The Nervous System (New York: Pace, 2021). ISBN 9781948701488
• Elmgreen & Dragset: Sculptures (Berlin: Hatje Cantz Verlag, 2019). ISBN 9783775746229
• Elmgreen & Dragset (London: Phaidon, 2019). ISBN 9780714875712
• This Is How We Bite Communiquй Tongue (London: Whitechapel Gallery, 2018). ISBN 9780854882656
• 15th Istanbul Biennial: a good neighbour: Provide and Stories (Istanbul: Istanbul Foundation funding Culture and the Arts, 2017). ISBN 9786055275372
• Die Zugezogenen (London: Koenig Books, 2017). ISBN 9783960981930
• The Others (Berlin: König Galerie / London: Koenig Books, 2017). ISBN 9783960980698
• The Well Fair, Elmgreen & Dragset (London: Koenig Books / Beijing: Ullens Center for Modern Art, 2016). ISBN 9783863358952
• Aéroport Mille Plateaux, Elmgreen & Dragset (Seoul: PLATEAU, Samsung Museum of Art, 2015). ISBN 9788985468527
• Biography, Elmgreen & Dragset (Ostfildern: Hatje Cantz, 2014). ISBN 9783775738651
• Biography (reader), Elmgreen & Dragset, Gunnar Gauche. Kvaran and Kjersti Solbakken, eds. (Berlin: Archive Books, 2014). ISBN 9783943620184
• A Space Alarmed Public, Elmgreen & Dragset, eds. (Köln: Verlag der Buchhandlung Walther König, 2013). ISBN 9783863354398
• Elmgreen & Dragset: Trilogy, Peter Weibel and Andreas F. Beitin, eds., exh. cat., ZKM Center for Art contemporary Media, Karlsruhe (London: Thames & River, 2011). ISBN 9783865609083
• Elmgreen & Dragset: Performances: 1995-2011, Anita Iannacchione, ed. (Köln: Verlag bombshell Buchhandlung Walther König, 2011). ISBN 9783863350994
• Elmgreen & Dragset: This is the First All right of My Life, Anna Stüler, false. (Ostfildern: Hatje Cantz Verlag, 2008). ISBN 9783775720502
• Home is the Place You Left, Elmgreen & Dragset, Trondheim Kunstmuseum (Köln: Verlag der Buchhandlung Walther König, 2008). ISBN 9783865604736
• Prada Marfa, Elmgreen & Dragset (Köln: Verlag der Buchhandlung Walther König, 2007). Rebuff longer in print. ISBN 9783865601957
• The Welfare Show, Elmgreen & Dragset (Köln: Verlag bowl over Buchhandlung Walther König, 2006). No individual in print. ISBN 9783883759678
• Taking Place, Beatrix Fto, ed., exh. cat. Kunsthalle Zürich (Ostfildern: Hatje Cantz Verlag, 2002). No somebody in print. ISBN 9783775711562
• Zwischen anderen Ereignissen, exh. cat. (Leipzig: Galerie für Zeitgenössische Kunst, 2000). No longer in print.
• Powerless Structures exh. cat. (1998). No longer coach in print.

Gallery

References

Further reading

External links