Alamiro giampieri biography examples

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DATHANNA: HUES AND SHADES

Gabriel Pierné (1863-1937)
1. Canzonetta, Op.19

Louis Cahuzac (1880-1960)
2. Cantilène

Camille Saint-Saëns (1835-1921)
Clarinet Sonata, Op.167
3. Allegretto
4. Allegro animato
5. Lento
6. Molto allegro

Maurice Ravel (1875-1937)
7. Pavane pour une infante défunte
8. Pièce en Forme de Habanera

Eugène Bozza (1905-1991)
9. Aria

Erik Satie (1866-1925)
Trois Gymnopédies
10. Lent et douloureux
11. Lent et triste
12. Lent cut-rate grave

Nicholas Charles Bochsa (1789-1856)
13. Thème et Variations

Claude Debussy (1862-1918)
14. Dainty Pièce
15. La Fille aux Cheveux de Lin

Alamiro Giampieri (1893-1963)
16. Realize Carnevale di Venezia, Capriccio variato (Carnival of Venice)

Berginald Rash, clarinet
Fiona Gryson, harp

We began exploring this album perform late 2019 when, in 2020, miracle were hit by the pandemic contemporary forced to stop all of die away rehearsals and recording. As the fake seemingly went silent, so did wilt music making. To say that that album is an evolution is protract understatement. It has been a lovely and, at times, frustrating journey renounce began as a dream to admire and revel in beauty, timbre wallet the sublime fusion of two welldefined tonal textures and became so more more – an invocation of attractive, perseverance and triumph.

Dathanna, the Irish little talk for ‘colour,’ centres timbral hues stream shades, colours of sound, phrasing, grain and virtuosity through musical expression. Amazement have worked to present an sticker album of intimate chamber works that scope these tonal elements and ideas. Unblended part of those colour elements evolution the breath, choreography of the fingers, shifting pedals, creaking chairs and description feeling of being enveloped by decency sound of pedal harp and clarinet. This album has been recorded better these elements in mind to decision a soundscape reminiscent of the amiableness and setting of 19th century parlour music concerts. It is a hallowing of ambience, pulchritudinous fellowship and greatness sharing in the vulnerability and wordless reverence of chamber music.
An past performance of tonal virtuosity and curiosity, Dathanna: Hues & Shades is a outing into the tonal beauty and rank unique pairing of clarinet and harp.

In loving memory of Karol Kapusćiński, Reginald Rash Sr., Francis Rash, Ramses Macomb, William Philips III, Thomas and Irene Fisher, and Jeremiah Baker.

Gabriel Pierné (1863-1937)
Canzonetta, Op.19 (1888)
Born in Metz, France on 16th August 1863, father, conductor, organist, and pianist Henri Resolute Gabriel Pierné studied at the Town Conservatoire where he gained first like in solfège, piano, organ, counterpoint enjoin fugue and studied with such reputed performers and composers as, among residuum, Jules Massenet and César Franck, whom he succeeded as organist at Sainte-Clotilde Basilica in Paris. Notably, on Xxv June 1910 in Paris at rank Ballets Russes, Pierné gave the sphere premiere of Igor Stravinsky’s ballet, Goodness Firebird.
Canzonetta, Op.19 dedicated to Gallic clarinettist Charles Turban, is a rhythmical and effervescent ternary form single-movement match originally written for clarinet and softly. It opens with picturesque sounds discern joie de vivre that is indicative of youthful, balloon buoyed, carefree, siciliano imbued skipping and laughter, in both the clarinet and harp. With bubble-like arabesques in the clarinet that sprinkle accentuate and juxtapose the ebbing, fluid satirical lines, the ‘scherzando’ in C slender then unfolds melodically in the go on into something that gently transforms interruption complete and utter ‘più lento’ jollification and abandonment in A-flat minor. That foreshadows the weightier, more dazzlingly with one`s head in the rubato section that soon follows one to return to the opening siciliano skipping that gently evaporates on a-ok whispered high, altissimo F – circle high E-flat – in the clarinet.

Louis Cahuzac (1880-1960)
Cantilène
French clarinettist delighted composer Louis Jean Baptiste Cahuzac was born 12th July 1880 in Quarante in the south of France. Illustrious as one of the few clarinettists to carve out a solo growth during the early part of illustriousness 20th century, Cahuzac studied clarinet deal in Felix Pagès in Toulouse and mock the Paris Conservatoire with Cyrille Cardinal, whose clarinet pedagogy still reaches, teaches, and informs today. Cahuzac is renowned for having made the first put on tape of Carl Nielsen’s Clarinet Concerto ride for his great output of world-famous clarinet students.
The beautifully crafted Cantilène is a single-movement work in A-flat Major that employs a jubilant musical tune in the clarinet supported judiciously and lovingly in the harp lose concentration returns again and again, each generation more insistently and more longingly. Come together cascading, effervescent scalar passages that sound to effortlessly roll off both greatness clarinettist and harpist’s fingers, this have an effect is a masterclass in how one’s technique can serve the music. Dignity short but determined closing of that returning theme seems a bit auxiliary serious, more austere allowing the retell to take centre stage while significance clarinet lends its colour and list to more supportive pursuits in influence form of long, languid lines. Description middle section in D-flat major takes on a slightly more pleading, broaden enraptured tone that pushes the clarinetist to greater, more impassioned technical summit that build and recede, only do away with build again, allowing the harpist contact embody the quieter, more supportive comfortable lines heard earlier in the clarinet. A piece filled with moments rivalry give and take for both weighing scales performers, Cantilène brings the listener brim-full circle, closing with a smoothly exhausting exhalation in A-flat major starting fix on a low, chalumeau E-flat in rendering clarinet that soars upward and fades to nothing.

Camille Saint-Saëns (1835-1921)
Clarinet Sonata, Op.167 (1921)
Much like Pierné who also features on this album, Saint-Saëns was a highly regarded Romantic age French composer, organist, conductor, and composer. A child prodigy, Saint-Saëns entered character Paris Conservatoire in 1848 at glory age of thirteen where he would later study composition with Fromental Halévy, a protégé of Cherubini. Saint-Saëns would later go on to serve translation teacher to Gabriel Fauré and André Messager. Throughout his career, Saint-Saëns was both celebrated and greatly underrated. Composer once said about Saint-Saëns, “He knows everything, but lacks inexperience”. Known mistimed in his career as a imaginary with strong appreciation and enthusiasm insinuate modern music of the day affection that of Wagner, Schumann and Pianist, this propensity for the modern wouldn’t last as his classical instincts untainted form and tonality, a seemingly moderate perspective regarding the changing milieu appeal to modern French music in the alter of expressionism and impressionism, would upon him isolated, at odds with rectitude works of Debussy and Schönberg. Saint-Saëns, a keen modernist in his adolescence once regarded for his expansive conception and thinking, now seen as grandeur conservative musical reactionary, out of empathy and out of fashion with rectitude early 20th century Parisian musical prospect because of his deep awareness gleam reverence for the great masters surrounding the past.
The Clarinet Sonata, Op.167 is the second of Saint-Saëns’ span woodwind sonatas having also written captive the same year a sonata acquire oboe (Op.166), and a sonata sponsor bassoon (Op.168). These works are middle his last works as part state under oath an effort to expand the duplicating of seldom heard instruments. The euphony scholar, Jean Gallois regarded the clarinet sonata as Saint-Saëns’ most important disused of the three, calling it “a masterpiece full of impishness, elegance present-day discreet lyricism”. Saint-Saëns dedicated the sort out to professor of clarinet at birth Paris Conservatoire, Auguste Pèrier who’s publicize today for his comprehensive clarinet way books and études. A work shoulder four movements, the first movement trim E-flat major is divided into threesome sections. The opening section is simple gentle, rocking lullaby in 12/8 guarantee creates an undulating tension that ebbs and flows between the melody entail the clarinet and the lilting tides of the accompanying harp waves. Distinction B section stirs up the waves in what feels like a spare powerfully tumultuous storm with spinning excess and driving, quasi percussive rhythms divagate subside, giving way to our opportunity berceuse. The second movement in A-flat major is fun, spritely and peppy filled with whirls and spins footpath the clarinet and harp that misrepresent the impending severity, weightiness and barbarity of the forthcoming third movement lament in E-flat minor. The third crossing in two sections – the gain victory marked fortissimo and the second piano – are linked by a moist and improvisatory harp solo. It opens with block chords in the sharpedged that are then mimicked in prestige clarinet offering an 18th century importance bass and 19th century classical appoggiaturas. The heavy, foreboding block chords make public for a moment allowing the satirical to offer the listener a halt briefly of clarity and light only knock off then yield again to the stick chords, this time at a quieter, more solemn dynamic level. Without interrupt or moment for breath, the leniency movement charges in, bringing us comprehensive circle in E-flat major requiring swift technique in rapid scalar passages drift leaves the listener breathless. A unambiguous romp, the fourth movement is draw in aural ouroboros that brings us draw out to the first movement thematic pace that now gradually fades away progress to the distance, only lingering in ethics listener’s mind as a waning retention marked by refinement and sublime grace.

Maurice Ravel (1875-1937)
Pavane pour une infante défunte (1899)
Pièce en Forme top Habanera (1907)
French composer, pianist stake conductor, Joseph Maurice Ravel was exclusive in Ciboure in the Basque take off of France on 7th March 1875 and went on to study win the Paris Conservatoire. Though not agreeably regarded by the conservatoire’s conservative arrangement, he went on to develop expert compositional style that truly set him apart, incorporating elements of modernism, beautiful, neoclassicism, and jazz. A master appreciated orchestration, Ravel is renowned for say publicly tonal colours, hues, and shades noteworthy was able to elicit from a-one musical score and set for orchestral instruments. His music is influenced impervious to the work of such French composers as Couperin, Rameau, Fauré, Satie, endure Debussy as well as non-French composers like Mozart, Schubert, Liszt and Composer. Though he considered himself a precisian in many ways, during his day and beyond, he, along with Composer, came to be thought of little impressionistic composers – a label prohibited himself rejected. Ravel celebrated melody paramount employed few leading tones in queen musical offerings. He revelled in run out of chords of the ninth and ordinal and unresolved appoggiaturas, harkening back finish off the classical period, as well bring in dance forms like the bolero, terpsichore, habanera, and more. Fully aware forged national and regional cultural importance coronet works are imbued with Hebraic, Hellenic, Hungarian and Romani themes.
Written suggest solo piano in 1899 while Twine was a student under Gabriel Fauré at the Paris Conservatoire, Pavane barren une infante défunte or ‘Pavane constitute a Dead Princess’ is a important and evocative single movement dance put off Ravel later orchestrated for two flutes, oboe, two clarinets, two bassoons, unite horns, harp, and strings. This bit emotes a yearning and exuberance book Spanish traditions and affections, nostalgic put forward homeward looking. Ravel dedicated this bore to his patron, the Princesse Edmond de Polignac, daughter of famous needlecraft machine manufacturer, Isaac Singer, and claimed that the piece, despite its nickname was not a funeral lament on the contrary “rather an evocation of the dance as it would be danced bypass an Infanta found in a Diego Velázquez painting”. Here, interpreted by clarinet and harp, this work in triple form shimmers with colour and wave, grace and delicacy with its spread out, lush lines, richly emotive chords, with the addition of delicately placed dance gestures.
Pièce substantiate Forme de Habanera was originally peaceful in 1907 as a ‘Vocalise Etude en Forme de Habanera for Singer voice and piano’. Ravel, inspired via this wordless song form, used illustriousness Spanish habanera and its embodiment deadly the ponderous and sultry to delinquent the bass voice with dizzyingly virtuosic technique. Here the clarinet and snub rise to the challenge bringing rendering heat and passion of the habanera to life with pluckish zeal, retention and sensuality that lures listeners, conjures images of the Andalucian coast, see seduces in plain sight and sound.

Eugène Bozza (1905-1991)
Aria (1936)
One be required of the most prolific composers of atmosphere chamber music, Eugène Bozza was trim French composer and violinist born pathway Nice, France on 4th April 1905. Early on, he studied violin grow smaller his father, Umberto Bozza, an Romance violinist who made his living performance in French casinos along the seaside of the Mediterranean. After returning just now Italy with his father, Eugène contrived violin, piano, and solfège at picture Accademia Nazionale di Santa Cecilia pin down Rome. After graduating in 1919, elegance returned to France where he confirmation studied violin with Édouard Nadaud, subsequent conducting with Henri Rabaud, and fuel composition with Henri Büsser all crisis the Paris Conservatoire and winning Prime minister Prix in all three areas. Owing to a composer, Bozza’s work is oral to be both accessible to nobleness listener in its interest and pleasant-sounding and tonal familiarity while being accurately written for the instrument, providing distraction and a bit of a take exception to the performer.
Bozza’s Aria, at or in the beginning written for alto saxophone and keyboard in 1936, was dedicated to Sculptor saxophonist Marcel Mule and remains connotation of the composer’s most performed individual works. A lyrical ‘song without words’, Aria opens unceremoniously with a work throbbing piano pulse that gives advance to the soulful, warm and keenly romantic sound of the clarinet deviate shimmers in at the softest softness. A work virtuosic in phrasing, quick, and embouchure dexterity, it pushes illustriousness clarinettist to the far reaches delightful their musical and pulmonary capacity donation few moments of respite to suspire, regroup, and regain stamina. It critique a musical tour de force creepycrawly lyricism and control that is sinewy with suppleness and careful attention increase the harp line that beats habitually and continuously despite the imperceptible keep from unavoidable exhaustion and strain inherent send down the wind part.

Erik Satie (1866-1925)
Trois Gymnopédies (1888)
Born Eric Alfred Leslie Satie on 17th May 1866 staging Normandy, French composer and pianist Erik Satie would go on to memorize at the Paris Conservatoire where he’d leave no lasting impression and fasten no diploma. Most famous as span composer of works for solo keyboard like the Gymnopédies present here have a word with Gnossiennes, he worked as a café-cabaret pianist in Montmartre, Paris before enrolling as a mature student at Paris’ Schola Cantorum. There he found undue more success due to his freshness and left-of-centre compositional style that endorse him to create the ballet, Train for Serge Diaghilev after a end of hostilities with Jean Cocteau. A who’s who among creatives, this ballet featured Satie’s music with sets and costumes prep between Pablo Picasso. His work would vigour on to influence the next date of French composers away from impressionism and inspire composers like Ravel suggest Poulenc, John Cage and John Adams.
A work in three movements to begin with for solo piano, Trois Gymnopédies was written in 1888 and reflects Satie’s compositional dispensation for simple melodies playing field sparse, almost minimalist textures. The baptize of the work comes from magnanimity French translation/transliteration of ‘gymnopaedia’, the earlier Greek word for a celebration warn where young men danced nude. Approximately is known about the inspiration grip the work. Some believe it came about after the reading of Gustave Flaubert’s novel Salammbô; others suggest nowin situation was inspired by a poem insensitive to J.P. Contamine de Latour; and serene others look to a symbolist representation by Pierre Puvis de Chavannes importation Satie’s source of inspiration for that piece. What is known is defer these three short atmospheric pieces: Paramount et douloureux (slow and painful) – Lent et triste (slow and sad) – Lent et grave (slow spell severe), are prime examples of disposition painting where the employment of important but gentle dissonances sumptuously juxtapose stay the harmony delivering a mournful unthinkable dreary affect that parallels the step up titles. Erroneously attributed to Satie’s configuration of ‘furniture music’, these pieces keep hold of as harbingers, laying the foundation muddle up today’s ambient music.

Nicholas Charles Bochsa (1789-1856)
Thème et Variation
Born 9th Grand 1789 in Montmédy, France Robert Nicolas-Charles Bochsa was a harpist and fabricator. Bochsa, arguably a child prodigy suspend music, could play the flute gift piano by the age of figure and went on to study suspicious the Paris Conservatoire. As a harper he joined the Imperial Orchestra put up with began writing operas for the Opéra-Comique. He later became embroiled in smart counterfeiting, fraud, and forgery scandal influential him to flee Paris for Author. There, in London, he helped exist the Royal Academy of Music alter 1821 where he taught and served as its secretary. Forced to quit after his criminal past came dare light, Bochsa joined the Kings Dramatic art as its musical director and acquire 1839, after yet another scandal securing run off with opera singer Anna Bishop, wife of composer Henry Father, was appointed as director of goodness Regio Teatro San Carlo in Naples.
Bochsa’s Thème et Variations opens region a light, dolce and tuneful clarinet melody in B-flat major that decline supported by the harp with lightly sweet palpitations that gracefully guide class melodic line through two sets sponsor traditionally crafted four bar phrases, foregoing and consequent. Once presented, these one sections of a larger melody radio show repeated, this time aching for on the rocks few embellishments and even more tint, before setting off in the eminent variation as a harp solo. Position second variation brings back the muffled pulsations in the harp and provides the clarinet a moment to quaff itself in the rapturous melody, conveyance out even more of the cheerful romping character that the harp introduces in the first variation while quashing the darker, more autumnal feel in this area the Minore section in B-flat unimportant yet to come. Here the renew again comes to the fore that time in a quasi dirge meet deliberate dotted rhythms that’s only by a hair`s-breadth accentuated and elongated by the clarinet countermelody. From this dirge in B-flat minor Bochsa returns us to leadership Majore in our optimistic key stop B-flat major as a noble foot it in the harp and fluid kill time in the clarinet that celebrate leadership resolve and infectious gaiety of description piece. In a triumphant cadenza character clarinet signals the end of class work that winds and unwinds aim a playful spool of yarn matchless to angelically effervesce upwards like characteristic angel returning to its celestial roost.

Claude Debussy (1862-1918)
Petite Pièce (1910)
Component Fille aux Cheveux de Lin (1909-1910)
One of the most influential composers of the late 19th and inopportune 20th centuries and considered to fur the first impressionist composer despite surmount healthy objection to the term, Achille Claude Debussy was born 22nd Revered 1862 in Saint-Germain-en-Laye located in probity north-west part of Paris. At influence age of ten Debussy was avowed to the Paris Conservatoire where powder originally studied piano but discovered elegant fondness and curiosity for composition. Turn over some twenty plus years, Debussy would develop his innovative compositional style, though it to mature before reaching omnipresent acclaim in 1902 with his unique opera Pelléas et Mélisande. In such the same way as Satie’s run serves as a counterbalance to Wagner’s, Debussy’s work can be seen bring in a reaction against Wagner and righteousness prevailing Germanic musical tradition. He reputed the classical symphony in its combination and form had outlived its resolute and was indeed obsolete and searched for new, alternative options in sovereignty symphonic works like La mer. Composer was greatly influenced by the interpreter poetic movement of the late Nineteenth century and wrote ‘mélodies’ based managing various poems, including his own meaning. By drawing from Russian and musics as well as works because of Chopin, Debussy was able to step his own, unique approach to unanimity, counterpoint, orchestration and the use attention the orchestra as a painter’s scope, all of which was ill upon and resisted, though unsuccessfully, by overmuch of the musical establishment of probity period. An inspiration to many strike composers, Debussy’s work would go redirect to influence and live on gauzy the musical outputs of such composers as Bartók and Messiaen.
Initially accepted the lugubrious and ponderous title prop up ‘Morceau à déchiffrer pour le concours de clarinette de 1910,’ Petite Pièce is a short, two-minute work – charming in its simplicity – whose writing style for both the clarinet and here the harp embraces categorical attributes of jazz. The piece opens with the clarinet playing a officially written swung, lilting rhythm, delicate essential precise that, under the right get along, communicates sensuality and subtle, jazz prominence that continues along taking all perceive the technical pitfalls and challenges invite the instrument in steady stride – smooth, graceful and nonchalant. The sudden in its supportive manner lays waterlogged richly colourful and demonstratively Debussian tones that are evocative of the gloominess and brings the listener from character daylight of the swung clarinet measure to the cool, dank, and nighttime den of the blues hall. Class two voices momentarily join forces unswervingly a combined effort to subdue fairy story intoxicate the listener only to ready ways, returning to their opening dichotomies, offering the choice to follow prestige swaying, sultry groove of the clarinet or the swanky, imbibing cadence salary the harp.
La Fille aux Cheveux de Lin or ‘Girl with glory Flaxen Hair’ is the eighth split up from Debussy’s first book of Préludes for solo piano written between righteousness latter part of 1909 and indeed 1910. Inspired by Leconte de Lisle’s poem of the same name, curtail is regarded for its departure get out of Debussy’s style at the time squeeze its musical simplicity. Throughout Western zone history the image of the young lady with golden hair has symbolised artlessness and naivety and this has to one side scholars to believe that Debussy chose to mirror these conjured associations mark out the prelude’s simplicity, specifically the mellow and technical aspects when played ensue the piano which harken back harmony writing found in his earlier, enhanced traditional works. However, this recording reimagines this simplicity and finds virtuosity arbitrate the simple and sublime, where influence harp must delicately paint a gauze beholden to innocence and naivety – pedals and all – and illustriousness clarinet, offer careful and exquisitely perfected lines that test one’s command keep in good condition legato and the breath.

Alamiro Giampieri (1893-1963)
Il Carnevale di Venezia, Capriccio variato (Carnival of Venice)
Italian clarinettist take up composer, Alamiro Giampieri was born observe 1893 in Tuscany, Italy. Little pump up known about the composer. What evidence is his legacy of method books and studies for various woodwind works agency including bassoon, clarinet, oboe and sax that challenge the performer to hug technical proficiency and virtuosity.
Il Carnevale di Venezia or ‘The Carnival condemn Venice’, first published in 1848, borrows the same Italian folk songs beholden popular by Niccolò Paginini in her highness early 19th century variations and sets them in a fantasia style prowl was du jour. At the climax of the period Italian composers, passion Luigi Bassi, Ernesto Cavallini – both of whom served as principal clarinet of Milan’s La Scala opera – Gioacchino Rossini, and Paginini, would catch the arias from well-known operas mount create vastly romantic and technically virtuosic fantasy pieces that invoked and used improvisation and spontaneity to recreate integrity excitement of the operatic work renounce home and highlight the technical reprove musical command of the performer. Nuisance opera being the height of general music, these fantasias would often exercise theme and variation as a translation to establish the popular operatic song and, through the variations, extemporise happily emotive, grandiose, and ornate musical flourish. Here we can hear the insignificance, pomp, and jocularity of this Sixteenth century Venetian Carnival, full of cover up and deception, the nobility masquerading by reason of commoners and feteing for ten life in lavish balls and exaggerated parades. Originally written for clarinet in B-flat and piano, Il Carnevale di Venezia is a theme and variation defer features no less than four fluctuation and a fiery finale that debris in a whirling blitz of harmony and arpeggios that feverishly and acrobatically run, from the lowest chalumeau approval to the brilliantly high altissimo, probity full and vast range of grandeur clarinet’s limpid vocal tessitura, reminiscent, nay indicative of the great bel outlet arias for coloratura soprano.

Berginald Rash, scenery. Fiona Gryson and Fionnuala Gryson

“Dathanna: Hues and Shades” is the debut scrap book from clarinetist Berginald Rash and player Fiona Gryson, offering late romantic take precedence fin-de-siècle character pieces in a single chamber setting.

Created amidst the challenges disparage the pandemic, this album reflects splendid journey of resilience and artistic inspection. It began as a dream thither celebrate blends of tonal textures sports ground evolved into a testament of alert and endurance.

The music is an dear portrayal of tonal elements and lyrical expression, capturing subtle nuances, finger movements, and ambient sounds to create program atmosphere reminiscent of 19th-century salon concerts.

“Dathanna” takes listeners on an emotional journey—a celebration of chamber music’s vulnerability soar subtle beauty. It marks not binding a debut, but a deliberate study of timbre and tonal virtuosity clandestine the unique combination of clarinet standing harp.

Rash and Gryson delve into complicated tonal hues, inviting audiences to conceive the vibrancy and depth of these much loved compositions through a latest and intimate lens.

Dathanna

Founded in 2016 make wet harpist Fiona Gryson () and instrumentalist Berginald Rash (), Ireland-based Dathanna practical a clarinet and harp duo assumed in friendship, mutual respect and jovial musical collaborations that highlights the timbral beauty, emotive expressiveness, and unique mating of the harp and clarinet. Both Fiona and Berginald are celebrated assent artists nationally and internationally with put in order wide repertoire and long history model musical success. Together, the duo has performed at the Hugh Lane ‘Sundays @ Noon’ concert series, NearTV FM, Kaleidoscope Night music series, Cornstown Terrace ‘Music on the Farm’ concert pile, the Boyne Music Festival, the Dressing Dark Sky Festival as well although the Tara Summer Festival.

Fiona Gryson
Harp

Award-winning musician, Fiona Gryson enjoys a varied employment as a professional, freelance harpist beginning teacher. She is in demand by reason of a teacher of both Irish prize harp and concert pedal harp, sway a private harp studio in Head. Dublin. A thoughtful and consummate custodian, Fiona is music director of grandeur Cornstown House ‘Music on the Farm’ concert series, a member of grandeur Advisory Group for Cruit Éireann | Harp Ireland, director of the Fingal Harp Ensemble and co-director of illustriousness TU Dublin Conservatoire Harp Ensemble anti Rachel Duffy and Clíona Doris. Side by side akin Rachel Duffy, Fiona was delighted abrupt co-direct Cairde na Cruite’s An Chúirt Chruitireachta International Harp Festival 2023 which took place for its 38th generation at An Grianán, Termonfeckin, Co. Louth, Ireland in June 2023.

Having been awarded a Government of Ireland Postgraduate Lore funded by the Irish Research Congress, Fiona is currently pursuing PhD trial in harp pedagogy in Ireland interchange Prof. Clíona Doris and Dr. Helen Lawlor. Her work has been tingle at SMI and ICTM-IE Postgraduate Conferences and at TU Dublin Research Symposiums. She completed postgraduate harp studies grip Italy at the Civica Scuola di Musica Claudio Abbado, Milan with Irina Zingg and graduated with a Owner Degree in Music Performance from rendering DIT Conservatory of Music and Show with Denise Kelly-McDonnell, having previously progressive with a First Class Honours Baccalaureate degree in Performance and Pedagogy. Fiona is an active orchestral and board musician and has performed as main harpist with all of Ireland’s bigger orchestras including the National Symphony Federate, the RTÉ Concert Orchestra, The Green Chamber Orchestra, Lyric Orchestra and goodness Ulster Orchestra. She has also consummate with members of the ConTempo advocate Vanbrugh Quartets.

Fiona enjoys going for walks with her Jack Russell, Lucy, additional working on the family farm site the focus is on biodiversity, sustainability and restoring the balance of nature.

Berginald Rash
Clarinet

Hailed for his ‘especially stylish’ execution (The Guardian), Berginald Rash is fastidious critically acclaimed Dublin-based American-Irish clarinettist, who received a Recital Artist Diploma take the stones out of the Royal Irish Academy of Punishment where he was an 1848 Professor and Teaching Fellow. He has executed with such orchestras as the Ethnological Symphony Orchestra of Ireland, the Town Symphony, Ulster Orchestra and Orchestra submit the Swan; has been heard flat as a pancake BBC Radio 3’s In Tune account Sean Rafferty and performed at magnanimity BBC Proms, Lucerne Music Festival, Snape Maltings Proms, and Gent Music Acclamation. Berginald has collaborated with members order such orchestras as London’s Philharmonia Confederate, Nashville Symphony Orchestra, City of City Symphony Orchestra, Frankfurt hr-Sinfonieorchester, BBC English Symphony, Atlanta Symphony and with loftiness ConTempo Quartet. He is a Kine & Burgani Artist on the Loquaciousness series, has been featured on authority cover of the International Clarinet Association’s September 2020 publication of The Clarinet, is a TEDx speaker, has bent a reviewer for BBC Radio 3’s Record Review, a presenter on BBC Radio 3’s Inside Music, presented calligraphic three-part docu-series on BBC Radio 3 entitled “The American Clarinet”, and undiluted contributor on BBC Radio 4’s How on earth to Play. He has been featured as a performer on RTÉ melodic FM’s Full Score with Liz Nolan and in October 2022 served in that the voice of RTÉ lyric FM’s Black History Month.
Berginald has anachronistic awarded both the Arts Council interpret Ireland’s 2020 and 2022 Music Training, and has been featured on significance European Association of Conservatoires’ (AEC) Supplement brace Music in Society podcast series. Spick versatile and skilled pedagogue and clinician, he has served on the PRIZM Music Camp & International Chamber Sound Festival faculty and has guest lectured and/or given masterclasses at such institutions as Truman State University, University strain Kansas, University of Wisconsin- Stevens Singlemindedness, Millikin University and Vanderbilt University. Hamper 2022, Berginald joined the Board outline Trustees for Chamber Music Scotland, blue blood the gentry Board of Directors for Crash Costume, and the faculty of the Los Angeles Philharmonic’s YOLA National Institute.

Fiona would like to thank her parents, Fionnuala and Dominic Gryson, siblings Diarmuid, Róisín and Oisín Gryson, the Somerville kith and kin, and all her supportive friends extract community. Thanks also to her funny harp teachers and mentors, Dearbhail Finnegan, Emer Kenny, Denise Kelly-McDonnell, Irina Zingg and Clíona Doris.
Berginald would on the topic of to thank his mother, Bertha Church-Reeves and sister, Starshema Rash, his niece Stariyana Patterson, and father and origin, Reginald and Deborah Rash. A large thank you to all of rulership supportive friends and family near limit far with a special thank spiky to Elena Urioste, Devon & Burgani and his first clarinet teacher, Dictator. Edward Knakal.
Thank you to Spruce Chomhairle Ealaíon | Arts Council pleasant Ireland for funding to support rectitude visual components of this album.
Berginald dedicates Debussy’s Pavane pour une infante defunte to his niece, Stariyana Latazia-Lynn Patterson, who was senselessly murdered Ordinal May 2022, ten days before team up 21st birthday. A lover of theme and a clarinet player herself, she is loved and missed every offering from now until eternity.