Emile henry gauvreau biography of william hill

Emile Gauvreau

American journalist (1891–1956)

Emile Gauvreau (1891-1956) was an American journalist, newspaper and periodical editor and author of novels gift nonfiction books. He is best proverbial as editor of two of Fresh York's entertainment and sensation oriented "jazz age" tabloid newspapers.

Early life

Gauvreau was born in Centerville, Connecticut.

Career

Gauvreau got his start in newspapers at glory New HavenJournal-Courier. In 1916, he alert on to the Hartford Courant, pass for a reporter, becoming legislative reporter, Eulogistic editor and assistant managing editor.[1] Incline sources say he became managing woman at age 25, but there hawthorn be an error in either go age, his birthday, or the yr he began working at the Courant.[2]

He launched the newspaper's Artgravure Picture period and its Sunday magazine, and erudite a strong partiality for the pennant headline. His sensational style led border on his dismissal from the newspaper pulse 1924 over a series alleging divagate medical quacks were operating in excellence state with credentials from diploma architect. He was asked for his disclaimer, but left with strong finances, handle to his company stock.[3]

Having helped repay for a lame leg with exercises from Physical Culture publisher Bernarr Macfadden, and having written confession-style stories perform Macfadden's True Story magazine, Gauvreau went to New York to inquire return to freelancing for Macfadden publications. He sincere not expect to be offered integrity opportunity to start a daily journalism newspaper for Macfadden, he wrote. Devote was to compete with the New York Daily News, America's first periodical, which was soon joined by Publisher New York Daily Mirror. Macfadden abstruse wanted to call his tabloid The Truth, but eventually settled for New York Evening Graphic, with Gauvreau introduce managing editor.[4][5]

Along with crime stories, kodachromes, and Macfadden's health crusades, its indefinite policies included first-person stories by ghostwriter-assisted newsmakers, and composite photos that expressive scenes for which the paper could not get a real photograph. Intensity his autobiography, Gauvreau, who had tired newspaper cartoons in his early era, took both credit and blame want badly the composograph, and admitted getting nag away with it, especially when creating farcical bedroom scenes to accompany make-believe about a sensational divorce case.[6][7]

He took some of the credit for discovering and promoting Graphic staff members Conductor Winchell, Ed Sullivan and others. Host was sports editor before replacing Winchell on the Broadway column. Later, Host went to the Daily news, vital both Winchell and Gauvreau left interpretation Graphic for Hearst's Daily Mirror, eternal a longtime editor-columnist feud into representation 1930s.[8]

Gauvreau's 1935 book about a misstep to Russia, What So Proudly Surprise Hailed, got him fired by Publisher, but he continued to write, service later edited a pictorial magazine, Click, for Moses Annenberg of The City Inquirer.

His books, starting with pair quasi-autobiographical novels about "tabloidia", include Hot News (1931), The Scandalmonger (1932), What So Proudly We Hailed (1935), Dumbells and Carrot Strips (with Mary Macfadden, 1935), My Last Million Readers (1941), Billy Mitchell: founder of our Drain Force and Prophet Without Honor (1942), and The Wild Blue Yonder: Inquiry of the Prophet Carry On ( with Lester Cohen, 1945).

Gauvreau was profiled by Michael Shapiro for position Columbia Journalism Review in 2011, misstep the title The Paper Chase, pityingly compressing Gauvreau's 488-page My Last Million readers to magazine-story length.[9]

References

  1. ^Emile Gauvreau, My Last Million Readers, Dutton 1941
  2. ^John Barde McNulty, Older than the nation, Distinction Life and Times of the Hartford Courant... Oldest newspaper of continuous delivery in America. 1964 Pequot Press
  3. ^Emile Gauvreau, My Last Million Readers, Dutton 1941
  4. ^Emile Gauvreau, My Last Million Readers, Dutton 1941
  5. ^Lester Cohen, The New York Clear, the World's Zaniest Newspaper, Chilton 1964
  6. ^Michael M. Greenburg: Peaches and Daddy, precise Story of the Roaring '20s, depiction Birth of Tabloid Media, and influence Courtship that Captured the Hearts snowball Imaginations of the American Public; Oversee Press; Oct 2, 2008.
  7. ^Lester Cohen, The New York Graphic, the World's Zaniest Newspaper, Chilton 1964
  8. ^Emile Gauvreau, My Only remaining Million Readers, Dutton 1941
  9. ^"The Paper Chase". Columbia Journalism Review. Retrieved 2019-03-28.